Our March short break began before it had even really started – as we went to the station to catch the train to Cromer, piles of last year’s dead Hollyhocks were spawning a big emergence of overwintered Firebugs – proof if any was needed that garden clippings are best kept in the garden whenever possible…

And so it was up to Cromer, across the flatscapes of East Anglia. We have a fondness for out-of-season seaside resorts (see Blackpool, this time last year), especially just before the season starts, when they are a hive of activity, the smell of paint and slosh of whitewash, the clank of scaffolding, but without the crowds.

Putting on the make-up is of course so much more than cosmetic: the unforgiving wind and salty air corrodes the very fabric of the town, threatening livelihoods but producing ample subjects for the camera:

Think Cromer, think crabs – and yes of course I had plenty, including a sumptuous sandwich from the Crab Pot Café. And then think Pier, dominating the view from any stretch of the shoreline:

The beach provides the sounds of nature, gulls calling, waves swishing up the sand and rattling the flints, which in turn become the building blocks of the town.

The church, as much a seamark as a place of worship, was worth a visit for its stained glass which suffused the columns with pastel shades as the sun streamed through:

And so to our hotel, the Cliftonville, a place we had decided to stay in after a drink there last summer amid the Art Nouveau styling. And we were not at all disappointed – our top-floor room with an uninterrupted sea view was simply outstanding, and one we would like to return to as a base for exploring the Norfolk coast by train and bus.

Breakfast and lunch, too, made the stay memorable, but prize of place food-wise must go to the Red Lion Hotel where we ate one evening, a memorable meal of fine dining but substantial portions – for me, crab risotto and cod; for Jude, rigatoni with goat’s cheese and butternut squash. A little more expensive than we normally pay, but really worth it for one of the very best meals we have had in our years of monthly short breaks.

From our room, and indeed all along the seafront, the view of the North Sea and its offshore wind farms was both ever-changing but reassuringly constant. And the gardens along the front, at least in sunshine, buzzed with bees, including  Hairy-footed Flower-bees visiting Rosemary. The other insects along the front, including on the hotel windows, were numerous Birch Catkin Bugs, presumably a spring emergence, but from where? Not a birch tree in sight!

The first day was grey and cold, the second promised to be much sunnier and warmer. So it was out on the train to Sheringham, breakfast as we passed through the flinty town, and down to the beach. Turnstones flocked on the rocks, a Greater Black-backed Gull defended its fish carcase against the diminutive Herrings, the sun was shining and it was already very warm, but offshore to the west hung a sea fret…

So we headed east along the beach, taking in the glacial geology on the way, boulder clay, sands and chalk rafts, the mobility colonised by Colt’s-foot, the flowers opening to welcome Spring.

As we continued towards West Runton the beach started to steam, tendrils of fog rising up from the sand. And looking behind, the wall of fret was upon us. Colour was sucked out of the world, and our destination disappeared, leaving the revetments as stark sculptures worthy of Easter Island or Antony Gormley. Totally ethereal, and although the blue dot on the phone offered some reassurance, it felt not without a frisson of some primordial danger as the fret moved around, shapeshifting on a whim.

But still the beach announced its geological provenance, with platforms of chalk emerging from the sand, and many huge beach flints, including some in the mysterious bowl-shaped form of a paramoudra.

Once at West Runton though, it was back onto dry ground, albeit with fog swirling, building and fading at every turn. We had seen from the map the intriguing prospect of Beeston Regis Church, marooned among the caravan sites, though finding it in the fog was more by luck than anything….

The church was simple and pleasant, with some ornate wooden mouldings as a counterpoint to the calm interior.

And on the churchyard wall, there was Henbit Dead-nettle alongside its more common relative and Hairy Bittercress …

… while along the lanes as we dropped down to West Runton, there were flowering willows, both male and female catkins providing sustenance to bumblebees and hoverflies; White Comfrey; Tree Lupins complete with big, fat aphids and their camp followers; and everywhere Alexanders…

And so into the Village Inn for a welcome pitstop!

From there it was back along the cliff top, at least in those places where the Norfolk Coast Path hasn’t fallen into the sea and isn’t blocked by unfriendly fences. The fog still rolled in, creating frost-bows from certain vantage points, while sandy soils up high gave the feel of perched sand dunes, the turf stained red with Mossy Stonecrop and acid-green by Early Meadow-grass.

After an ice-cream stop in East Runton, it was then back onto the beach for the final stretch back to Cromer. In the by now hot sunshine, waves rolled and lapped gently to shore and several pairs of Fulmars canoodled in their cliffed retreats.

For our final day, we headed east from the town, where it feels much more wrapped up in maritime history …

… out and up to Cromer Lighthouse, giving the lie to the assumption that Norfolk is flat! Rolling hills, all part of the moraine from the endpoint of the last ice advance, clad in the richness of flowering gorse and with woods, including lots of Holm Oak over a ground layer of Alexanders. Just a pity the weather had closed in a bit, leaving the views back over the town rather hazy.

All that was left was to find our way down to the beach via the precipitous steps, through the goblin-forest wilderness of twisted Sycamores and again Alexanders, along with Hart’s-tongue Fern, and salt-pruned, skeletal scrub.

Our purpose? To try and locate the Banksy artwork on a concrete groyne. Which we did, just, with the help of a friendly passer-by, although sadly time and tide have taken their toll and the social comment about the prevalence of second homes and overpriced beach huts in a place like this are now lost. I say ‘sadly’, but Banksy probably knew it wouldn’t last, and wanted it that way, their ultimate comment on the impermanence and futility of art?

Which just leaves me with a paean to Alexanders, already mentioned several times, and abundant (to some, overabundant) along this coastal belt.

But to those who decry the ‘aggressive’ spread of this non-native plant, I would say ‘what would early-emerging insects do without it?’ As climate collapse continues apace, insects are now active at times they never were before, active and needing sustenance. Which the ‘native’ British countryside simply cannot do. As a bridge betwen eras (the one to come being especially uncertain), Alexanders helps sustain life.

And so it was for our stay, from fungal rust galls to ants, Honeybees, hoverflies and Gorse Shield-bug…

… right through to the mining bees, iconic insects that nest on the nearby sandy cliff slopes, including the rare (but increasing) Early Colletes (aka Bunny Bee).

For other blogs extolling the virtues of Alexanders, see Lockdown diary: In praise of Alexanders… | Chris Gibson Wildlife and Alexanders: the interloper our countryside needs… | Chris Gibson Wildlife .

That was a surprisingly fun short break, to a place we knew already, but staying there helped us to more than scratch the surface, to find the real Cromer. Roll on the next in our series … only five days to wait!